Publications
Ishiuchi Miyako:
Traces
Co-edited with Yasufumi Nakamori. London/New York: Thames & Hudson 2026, 260pp.
This is What You Get: Stanley Donwood | Radiohead | Thom Yorke
Ashmolean exhibition catalogue, Oxford 2025, 256pp.
Ashmolean NOW:
Flora Yukhnovich x Daniel Crews-Chubb
Ashmolean exhibition catalogue, Oxford 2023, 128pp.
Tokyo:
Art & Photography
Ashmolean exhibition catalogue, co-edited with Clare Pollard, Oxford 2021, 288pp.
Philip Guston:
Locating the Image
Ashmolean exhibition catalogue, co-edited with Karen Lang, Oxford 2019, 56pp.
Ravens & Red Lipstick:
Japanese Photography since 1945
London, New York / Kyoto: Thames & Hudson / Seigensha 2018 (2nd edition 2024), 288pp.
Ibrahim El-Salahi:
A Sudanese Artist in Oxford
Ashmolean exhibition catalogue, Oxford 2018, 72pp.
Giacometti
Tate Modern exhibition catalogue, co-edited with Frances Morris, London 2017, 304pp.
Alberto Giacometti, Tate Introductions
London: Tate Publishing 2017 (2nd edition 2025), 80pp.
Daido Moriyama.
Tales of Tono
(Translation from the Japanese and Introduction), London: Tate Publishing 2012, 192pp.
THE BODY AS A SCREEN:
JAPANESE PHOTOGRAPHY OF THE 1990s
Hildesheim: Georg Olms 2011, 372pp.
Yasumasa Morimuras “Self-Portrait as Actress”:
Überlegungen zur Identität
Saarbrücken: Akademiker Verlag 2008, 144pp.
Select Essays
„Es geht mir immer nur ums Bild“. Performativität, Fotografie und Übermalung
In: Cornelia Schleime. Performte Fotografie und Super-8-Filme in der DDR, 1978–84, Cologne 2025, pp.113–134.
Experimental, Theatrical, Underexplored – Otsuji Kiyoji’s Photography
In: Otsuji Kiyoji’s Photography, Tokyo 2024, unpaginated
Art in the Age of the New Normal: Thoughts on Works by Ichihara Etsuko, AKI INOMATA and Inose Naoya
In: Roppongi Crossing 2022: Coming & Going, Mori Art Museum exhibition catalogue, Tokyo 2023, pp.179–185.
Pretty Plant Photographers or Pioneers? Anna Atkins and Sarah Angelina Acland
In: Charlotte Ribeyrol and Matthew Winterbottom (eds.): Colour Revolution: Victorian Art, Fashion & Design. Ashmolean Museum exhibition catalogue, Oxford 2023, pp.70–78.
‘Has Your Life the Dimensions of a Pool or the Ocean?’ Coco Capitán’s NAÎVY
In: Coco Capitán. NAÎVY, Parco Museum Tokyo exhibition catalogue, Tokyo 2022, unpaginated.
Wandering the Asphalt Jungle of Osaka
In: Yoshihiro Suzuki. East Beats. Osaka 1964–1970. Leipzig 2023, pp.234–248.
‘I tamed the lightning’
In: Hans Hartung. Painter, Photographer. Waddington Custot exhibition catalogue, London 2022, pp.28–33.
Pictures and Thoughts Belong Together: A.R. Penck’s Paintings and Felt Works
In: A.R. Penck. Systems: Felt Works and Paintings. Michael Werner Gallery exhibition catalogue, London 2021, pp.5–9.
High Heels & City Lights
In: Tokyo Rumando. The Story of S., Museum Folkwang exhibition catalogue, Essen 2020, unpaginated
Minimal, Messy, or Melancholic? The many faces of “home” in Japanese photography
In: Aperture 238, Spring 2020, pp.56–64.
Geköpfte Verbrecher und reizende Prostituierte: gesellschaftliche Randgruppen in der Fotografie der Meiji-Zeit
In: Stephan Köhn and Chantal Weber (eds.), Outcasts in Japans Vormoderne. Mechanismen der Segregation in der Edo-Zeit, Wiesbaden 2019, pp.285–301.
Commentary Ichida Sayuri ‘Mayu’
In: IMA Vol.26, Winter 2018, Tokyo 2018, pp.19–26.
Wenn ich an Kunst denke, denke ich an Schönheit – Agnes Martins Schriften
In: Renate Kroll and Susanne Gramatzki (eds.), Künstlerinnen schreiben, Berlin 2017, pp.182–191
Die Lichter von London – Romeo Vendrames fotografische Serie Choreography
In: Romeo Vendrame. Choreography, Haus der Kunst Uri exhibition catalogue, Zürich 2017, pp.97–102
Dark Pagodas and an Empty Bowl
In: Thomas Seelig (ed.), Jungjin Lee ECHO, Fotomuseum Winterthur exhibition catalogue, Winterthur 2016, pp.61–66.
Kleider machen Leute: Die Adaption westlicher Kleidung im Meiji-Japan
In: Christiane Kühn (ed.), Zartrosa und Lichtblau: Japanische Fotografie der Meiji-Zeit 1868–1912, Staatliche Museen zu Berlin exhibition catalogue, Berlin 2015, pp.37–46.
Von dunkler Dekadenz und christlicher Mystik: Verbindungen zwischen Geoffrey Hills Gedicht “A Pre-Raphaelite Notebook” und präraffaelitischen Bildern
In: Susanne Gramatzki and Renate Kroll (eds.), Wie Texte und Bilder zusammenfinden, Berlin 2015, pp.83–94.
Well, I sit here and wait to be inspired: Photographs of Agnes Martin
In: Frances Morris and Tiffany Bell (eds.), Agnes Martin, Tate Modern exhibition catalogue, London 2015, pp.206–21.
The Floating Dresses of Hiroshima: War Memory in Ishiuchi Miyako’s Photography
In: Ayelet Zohar (ed.): Beyond Hiroshima: The Return of the Suppressed, Tel Aviv University gallery exhibition catalogue, Tel Aviv 2015, pp.56–63.
Die Verpackung zählt! Miwa Yanagis fotografische Serie »Elevator Girls« (1998) und die Kunst des Verhüllens in japanischen Kaufhäusern
In: Ute Seiderer and Michael Fisch (eds.): Haut und Hülle. Umschlag und Verpackung, Berlin 2014, pp.194–206.
The Bittersweet Beauty of Ephemerality: Ishiuchi Miyako’s Photography
In: Louise Wolthers and Dragana Vujanovic (eds.), Miyako Ishiuchi: Hasselblad Award 2014, Heidelberg 2014, pp.137–42.
Tod und Töten im fotografischen Bild. Izima Kaorus „Landscapes with a Corpse“ und Yann Tomas „Crimes sur Commande“
In: Ismail, Nadia (ed.): töten. Darstellbarkeit eines Prozesses? Oberhausen 2012, pp.87–93.